United States
Last night I attended the Australian premiere of The Amazing Spider-Man 2, and because it won’t be released in the US for another two weeks, I had to hand in my phone. My phone’s my only way of telling the time, and during the movie, I constantly felt like grabbing for my phone to check how late it was. The movie felt like it was taking forever.
Wes Anderson can be an acquired taste. Settling on gathering enjoyment from his films can come after much deliberation as to whether he’s serious about the utterly finicky nature he employs in his chosen colour palettes, set construction, camera movements and scrupulous plot details. But his films carry far more value than the kind of hipster magnetism that seemingly oozes out of them.
In this 2013 American “reinterpretation” of Park Chan-wook’s Oldboy – which was itself loosely based on a ‘90s manga by Tsuchiya Garon – a misogynistic, binge-drinking ad exec (Josh Brolin) is mysteriously abducted and held captive for 20 years without any explanation. Then, just as suddenly as he was taken, he’s released back into the world with a stack of cash, a phone, and a hankering for bloody, violent vengeance to help him find out why he was kidnapped in the first place. Full disclosure:
How To Make Money Selling Drugs (2012) is a documentary discussing the lucrative world of drugs and drugs dealing and how people get involved in the world, and, essentially, what should change to make the business less attractive. In a 90-minute feature, director (and melodramatic narrator) Matthew Cooke interviews a multitude of people among which musicians and actors like Curtis Jackson (50 Cent), Susan Sarandon, Woody Harrelson, Marshall Mathers (Eminem), a whole bunch of drug traffickers among which Brian O’Dea and Freeway Ricky Ross, people from the law enforcement, both pro and against the War on Drugs. I went into this movie without any prior knowledge.










