In American Animals, four young men mistake their lives for a movie and attempt one of the most audacious heists in U.S. history.
Imprisoned by an adult world that now fears everyone under 18, a group of teens form a resistance group to fight back and reclaim control of their future.
Beast seduced many during its festival run, drawing praise for its unfolding mystery and strange tonal quality. It’s the feature debut of writer/director Michael Pearce, and people took note of such a striking first film.
Terminal follows two assassins with a sinister mission, a fatally ill teacher, an enigmatic janitor and a waitress with a double life. Murderous consequences unravel as their lives meet at the hands of a criminal mastermind wanting revenge.
In First Reformed, a former military chaplain is wracked by grief over the death of his son. Mary is a member of his church whose husband, a radical environmentalist, commits suicide, setting the plot in motion.
A young orphan named Lewis Barnavelt aids his magical uncle in locating a clock with the power to bring about the end of the world.
Based on the true story of survival, a young couple’s chance encounter leads them first to love, and then on the adventure of a lifetime as they face one of the most catastrophic hurricanes in recorded history.
When bestselling celebrity biographer, Lee Israel, is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend, Jack.
Get ready to follow a new mystery from David Robert Mitchell in Under the Silver Lake, which looks to be a nice stretch from his breakout, It Follows.
A cast like I KILL GIANT’s (Zoe Saldana, Imogen Poots, Madison Wolfe) should help out director Anders Walter, who is making his feature debut with this tricky material.
While RBG comes along at a great time for highlighting powerful women, it also offers far more than eye-catching memes to examine.
Who’s ready for some comedy, romance, fantasy, and social satire? Great, because you’ve got Sorry to Bother You coming soon, a film that’s weird enough to try for all of that.
The Seagull appears to be a faithful adaptation of the play of the same name, trusting that the source material will be enough to keep audiences engaged without needing to updating it to a contemporary setting.
Lynn Shelton is bringing more wandering characters to the big screen, letting them bounce off each other until havoc breaks loose.