
What inspired me to begin this series was actually the knowledge that Harper Lee, the author of To Kill A Mockingbird, was going to be releasing a new novel called Go Set a Watchmen. As I had remembered being fond of Lee’s writing, I was planning to read it. (I still have not, but am hoping to get to it after this).

Near the conclusion of The Bourne Identity (2002), we find our hero, Jason Bourne (Matt Damon), taking refuge in a country farmhouse belonging to Eamon, the ex-boyfriend of Bourne’s hostage/lover/sexy barber Marie (Franke Potente). Bourne’s shadowy employers have dispatched a rival Treadstone assassin – known only as The Professor (Clive Owen) – to eliminate the threat posed by their malfunctioning asset. When Eamon’s son notices the family dog has gone missing, Bourne (preternaturally perceptive, as always) recognizes the portent.

Ville-Marie is a Canadian, French-spoken film about a French actress who takes on a project to get closer to her son, who is in Montreal, Canada, in the hope to reconnect with him. For the first half, the trailer promises a fairly typical family drama, but then it starts to hint at a much darker undertone. As always, Monica Bellucci is mesmerising.

Ted 2 is exactly what you think it is. Seth MacFarlane is an entertainer who infuses all of his work with the same pop-culture heavy and juvenile abundant humour, from his roots in Family Guy to this, his third cinematic effort. The first Ted was a cinematic surprise, over-performing at the box office to become (at the time) the highest grossing R-Rated comedy of all time.

Having recovered from the shock upon discovering that summer 1990 was a quarter of a century ago, I recently reacquainted myself with one or two of the cinematic treats that I first enjoyed at the tender age of 15. Darkman got a repeat viewing, as did the sorely underappreciated Quick Change with Bill Murray. I was especially pleased to find that my personal favourite alumni from the class of ’90 had aged so well: