
The ‘Suspension Of Disbelief’ is an important factor in the consumption of art, any sort of art. Whenever we are presented with a vision of the fictional world our enjoyment of it rests on us deciding for one moment to accept it as realistic fact. For example, we all know a time-travelling DeLorean is frankly impossible, but if we were to spend the entire of Back To The Future considering how highly unlikely Marty’s adventure was, well, then we would not get swept into the story, and would certainly not enjoy ourselves as much.

On November 15th, 2013, a little boy, Miles Scott, received the opportunity to be his favorite hero, Batman. The Make-a-wish foundation helped turned San Francisco into Gotham City to make this wish come true. They staged a rescue, he took on the Riddler, and even received a greeting by President Barack Obama.

The Voices, the English language debut of French-Iranian director Marjane Satrapi, unarguably gives Ryan Reynolds the best acting role of his career. Sadly, his gleefully maniacal performance is the sole positive – and that is most likely due to the lack of interesting roles he’s been given throughout his career that make this performance stand out in comparison. The character he’s playing is badly devised and written, yet Reynolds somehow manages to make the character compelling.

Chicagoland Shorts is a new series of films curated by Eugene Sun Park and Kayla Ginsburg (with the aid of Beckie Stocchetti). The series pulls together an eclectic mix of shorts all made by Chicago-based filmmakers. The films range from original narratives to real stories, from animations to found footage pieces (those made using pre-existing film or photographs).