Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
Halloween is one of the most festive times of the year, and with it comes…
Co-written by comics creator Mike Mignola, Brian Taylor’s low-budget “Hellboy: The Crooked Man” casts Jack Kesy in the title role.
As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.
In 1985 devoted father Bill Furlong discovers disturbing secrets kept by the local convent and uncovers shocking truths of his own.
In Mickey 17, A disposable employee is sent on a human expedition to colonize the ice world Niflheim.
An aging gangster attempts to reconnect with his children and rectify the mistakes in his past, but the criminal underworld won’t loosen their grip.
News that Robert Pattinson and Parker Finn are developing a “Possession” remake drew criticism from feminist horror writers and critics.
King’s books are often made into films,and they can be hit or miss depending on who made them. The new Salem’s Lot is the latter.
At this year’s NYFF, we take a look at two films from emerging female filmmakers that were some of the highlights of this year.
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Fleabag and The Banshees of Inisherin in particular live side by side when analysing the heated conversation around war and peace within men and women.
Two criminal twin brothers, one trying to reform, embark on a dangerous heist road trip.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.