Shorta is a timely and thrilling actioner with its plot of police brutality and ultimately its message an important one to hear.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
Filmmaker Elizabeth Lo follows the plight of three stray dogs as they find human companionship on the streets of Turkey.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
My Wonderful Wanda is a fun film with moments of genuine humour and insight making make it worth the watch.
Underneath all the comedy and action are moments of real heart and pathos, Riders of Justice manages to balance its brand of pitch-black humour and gore.
It was a minor miracle, and in great part attributable to Van Peebles, that Watermelon Man turned into such a masterpiece.
Alex Lines spoke with writer and director Ruthy Pribar at the 2021 Jewish International Film Festival about her film Asia.
This week’s RuPaul’s Drag Race has the safe queens pull to the front in the Rusical, focusing on life and conspiracies on social media sites.
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
Mortal Kombat is a mysterious, intergalactic tournament of ancient martial arts. Shaolin Monk Liu Kang, from Earth, gets invited as a competitor.
Luke Parker spoke with director Victor Nunez about his 1993 Sundance winner Ruby in Paradise, which has hardly seen the light of day since.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.