In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.
With Mangrove, Steve McQueen crafted a beautiful, shattering testament to the power of community amid the horrors of tense racial relations.
The movie itself may not linger in the minds of viewers, but Moss’ performance almost certainly will.
With strong performances and boldly deliberate pacing, even the odd misstep can’t stop the fact that Rose really packs a punch.
A bank teller called Guy realizes he is a background character in an open world video game called Free City that will soon go offline.
An ode to the importance of art that is a work of art itself, Swimming Out Till the Sea Turns Blue is yet another fascinating look at contemporary China.
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
A small-scale, intimate story of strength and friendship it may be, but Herself has a thematic reach well beyond its plot.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Two New Orleans paramedics’ lives are ripped apart after they encounter a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.
Déa Kulumbegashvili’s Beginning is guaranteed to linger uncomfortably in the back of your mind long after the end credits have rolled.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
The Devil Has a Name is worth watching for its message and for the strength of its three leading protagonists.
As we wait for No Time To Die, Jake Tropila takes a look back at Octopussy, Roger Moore’s penultimate film as James Bond.