Blake Collier examines how an understanding of conspiracies in film speaks more about ourselves than the puppeteers behind them.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
While missing opportunities along the way, A Whisker Away makes up for it with its stunning original art and world of humanoid cats.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
Here are our six featured crowdfunding campaign picks from our friends at Seed&Spark, all featuring grand ambition from talented artists.
Gather In The Corner works well as a subtle satire on school safety, while also being a light-hearted watch.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.
The Way He Looks is a poignant coming-of-age movie with an incredibly sweet romance between Leo and Gabriel at its core.
Musanna Ahmed spoke with director Mark Jackson about his film This Teacher, co-writer Dana Thompson and star Hafsia Herzi, and more!
Despite a satisfying ending, Amulet’s messy timeline and uneven pacing prevent it from reaching the greater heights that could have been.
Two enforcers for a crime lord face an uncertain future when an old rival reappears.
We spoke with Joshua Lee, director of the Australian documentary, The Fathering Project.
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Mucho, Mucho Amor: The Legend of Walter Mercado felt like it was a documentary stuck between a rock and a hard place.