While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
A roadie travels across North America with a punk band during the 1980s.
We discuss Darren Aronofsky’s Pi, a film about conspiracies and obsessions that is relevant in the modern age.
Stephanie Archer continues her coverage of the online Tribeca 2020 Film Festival by taking a look at some more narrative short films.
While there are some joys to be found throughout the season finale, every answer to the season’s overarching narrative doesn’t feel satisfying.
Jaida’s win feels like a huge win for all of us after a rather vociferous season of RuPaul’s Drag Race taht was weighed down by Sherry Pie, COVID-19, and that insane facekini RuPaul wore.
This hilarious and poignant high school comedy is the perfect anecdote to soothe those quarantine woes and celebrate the arrival of summer.
Two young lovers rob their way across the southland, posting their exploits to social media, and gaining fame and followers as a result.
While Tiger King is comfort food for a troubling time, we must challenge ourselves to seek out more selective comfort.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
We are very excited to announce that, as per June 1, 2020, Kristy Strouse is taking over as Editor-in-Chief of Film Inquiry.
Becky is an entertaining thrill ride but runs into trouble with its weak script and mediocre direction.
During WWII, a woman opens her heart to an evacuee after initially resolving to be rid of him in this moving journey of womanhood, love and friendship.
Fleabag portrays love in such a unique, true way that it takes several watchings to fully understand the depth of it. Are love and attention the same thing?