In Arkansas, two guys live by the orders of a drug kingpin named Frog, whom they’ve never met. But when a deal goes horribly wrong, the consequences are deadly.
In his final round-up of Glasgow Film Festival 2020, Daryl McDonald reviews the French films Les Miserables and Les Traducteurs, as well as Vivarium and James VS His Future Self.
Denmark isn’t really interested in trying to answer any questions it raises, instead it is content to muse on the journey of one man who just wants a better life for himself.
Showgirls, by any measure, epitomizes every tenet of arthouse cinema. Showgirls belongs on a shelf alongside Andrei Rublev, The Seventh Seal, and The Passion of Joan of Arc.
The Boy Who Sold the World is a captivating documentary looking into the world behind the technology of apps, and the minds of the youth who are set on changing the world.
Corporate corruption is the subject of HBO’s newest documentary, McMillions, which offers a candid look into the rigging of a single marketing campaign.
Dark Waters is poignant, infuriating, and anxiety-inducing in the best possible way, and serves as a reminder of the importance of compassion and responsibility — now more than ever.
In The Vast of Night, a young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that could change their small town and the future forever.
“Broken Pieces” is an episode that sends everyone on their way to where they’ll need to be in the upcoming two-part finale, but doesn’t do so with any tangible enthusiasm.