Overall “World’s Worst” was a less-than-average episode with subpar performances in the improv challenge and a poor choice for a winner.
Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.
Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.
Compared to the confusing season 2, the first episode Westworld season 3 is more straightforward, and much clearer and more exciting in terms of the action and its philosophical examination.
Early in World War II, an inexperienced U.S. Navy captain must lead an Allied convoy being stalked by Nazi U-boat wolfpacks.
Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.
Despite a few stumbles along the way, I Will Make You Mine is a deeply nuanced directorial debut and character study that will leave audiences satisfied.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
Wilson Kwong reviews two more films from Berlinale 2020: Undine and The Intruder (El Prófugo).
The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.
Homeland brings the most quietly powerful episode so far this season, slowly moving up hill, hearts pounding as we anticipate the inevitable plunge.
The Carnivores is an effective psychological foray that may be divisive among some, but is worth biting into, to really appreciate the talent within.
Marcel Duchamp: Art of the Possible provides a pleasant and appealing overview of Duchamp’s life and career without truly challenging the viewer.
Wilson Kwong reviews two more films from the Berlin International Film Festival: Schwesterlein and epic crime saga Berlin Alexanderplatz.