We spoke with Pari director Siamak Etemadi about the tone of the film, its lead, and how he expects Western audiences will receive the film.
Wilson Kwong reviews two films from emerging filmmakers that screened at Berlinale 2020: Ordinary Justice and Pari.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
Musanna Ahmed takes a look at some February Bollywood releases: Love Aaj Kal 2, Shubh Mangal Zyaada Saavdan and Thappad.
While the 6th episode of Star Trek: Picard makes strides towards the franchise’s core ideas and is significantly more ambitious, it still struggles to know what to do with itself.
For our second report from the Fantastic Film Festival Australia, we take a look at…
The Roads Not Taken is surprisingly immersive and punctuated with many emotional beats along the way.
There are real issues to address in Greed, yet there feels to be very little intent to showcase these.
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
Resistance tells the story of a group of Jewish Boy Scouts who worked with the French Resistance to save the lives of ten thousand orphans during World War II.
William Hopson explores how Alan Silvestri’s score proves to be manipulative in the best possible way in Forrest Gump.
Before the season ends, The Outsider has to deliver a reasonably satisfying conclusion that’ll at least gratify those viewers who stuck with the series.
To say that Tsai Ming-Liang’s Rizi is a challenging film would be understating the staggering experience of actually watching the film.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…