From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
Resistance tells the story of a group of Jewish Boy Scouts who worked with the French Resistance to save the lives of ten thousand orphans during World War II.
William Hopson explores how Alan Silvestri’s score proves to be manipulative in the best possible way in Forrest Gump.
Before the season ends, The Outsider has to deliver a reasonably satisfying conclusion that’ll at least gratify those viewers who stuck with the series.
To say that Tsai Ming-Liang’s Rizi is a challenging film would be understating the staggering experience of actually watching the film.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
Despite the constant need to recycle old challenges, the premiere of RuPaul’s Drag Race season twelve was a strong way to kick off the new season!
A “spiritual sequel” to the 1992 horror film Candyman that returns to the now-gentrified Chicago neighborhood where the legend began.
Harley Quinn is both entertaining, insightful and inspiring, and opens doors to great possibilities for DC Comics animation.
The London Human Rights Watch Film Festival will be presented from 12 to 20 March 2020, featuring empowering documentaries and dramas celebrating courageous people.
Stakes are suddenly higher than they’ve ever been, in Homeland’s latest outing: “Chalk One Up”.
The Wild Goose Lake’s glaring missteps aren’t enough to sink the film and its overall affect, which remains consistent and engaging throughout.
In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.