Unfolding like a fever dream with strong performances throughout, Caitlin Kennedy reckons that Horse Girl is well worth each twisting moment.
In Dream Horse, a cleaner and bartender decides to breed a race horse in her Welsh village. As the horse rises through the ranks, she’s pitted against the racing elite.
Plenty of legendary films have gone home empty-handed, so to remind ourselves just how precious this year’s ceremony really was, we’re taking a look back at some of the best movies that were up for Oscars but somehow won nothing.
While “Stardust City Rag” attempts to elevate the series, the whole episode feels tired, limp, and lacking in any coherent vision.
Last week, Holly Gibney (Cynthia Erivo) was in jeopardy, Ralph (Ben Mendelsohn) was really trying…
Anne at 13,000 ft might not be exciting in the traditional sense, but it’s a film with hard-earned dramatic realism, and that is a type of excitement we don’t often see in cinema.
In She’s in Portland, the elements feel superficial, with the core relationship feeling especially hackneyed.
Shelter is the kind of film you watch when you want something that is wholesome, but not chaste, that will end happy.
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
Downhill skews and scraps the richness of its predecessor and replaces it with dragging drama and cringy comedy.
In Hope Gap, a couple’s visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother.
Wilson Kwong ends his coverage of Sundance with reviews of Brandon Cronenberg’s Possessor and a documentary detailing the life of a Hong Kong legend (Bruce Lee, in Bao Nguyen’s Be Water).
In spite of some of its trip-ups, it’s hard to find something so genuine in its portrayal of the prevalent anger and worry of these times.
We take a look at the recent home video releases of Viy (1967), Let’s Scare Jessica to Death (1971), The Emperor’s Naked Army Marches On (1987) and Very Bad Things (1998).
WOLFEN: Horror, Capitalism & The Environment
Watching Wolfen in 2020 is like opening a time capsule full of predictions that have all come true.