While the performances, production, and humor remain top-notch, Sex Education season two is a regressive step compared to its revolutionary first season.
Our team is hitting Sundance Film Festival again this year and here’s a sneak peek at our coverage!
Enjoy shots from the 50 best films of the 2010s in this video compiled and edited by Gus Edgar-Chan.
Star Wars traffics heavily in the tropes of “the hero’s journey,” and it has a rather neat analog in the patterns of Jewish immigrant literature.
We spoke with director & cast of Waves after its UK release: Trey Edward Shults, Sterling K. Brown, Renée Elise Goldsberry, Kelvin Harrison Jr. and Taylor Russell.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
In First Cow, a cook and a Chinese immigrant collaborate on a business, although its longevity is reliant upon the participation of a wealthy landowner’s prized milking cow.
A conversation with Faridah Gbadamosi, Director of Programming for this year’s COVEN Film Festival opened…
The Juniper Tree (1990), Berserker (1987) and The Bad and the Beautiful (1952) were recently re-released on Blu-Ray.
It’s time for our team to give you their personal top tens of 2019, along with some gushing about their absolute favorite.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
A young woman, traumatized by a tragic event in her past, seeks out vengeance against men who cross her path.