Anyone disappointed in what the remake of Suspiria came out to be would be remiss to pass up In Fabric.
What She Said: The Art of Pauline Kael is a pleasant reminder of Kael’s greatness and a nostalgic look back at an era that changed American cinema forever.
In In The Heights, a bodega owner has mixed feelings about closing his store and retiring to the Dominican Republic after inheriting his grandmother’s fortune.
The Film Inquiry team shares their top ten lists of their favorite movies of the decade, making up our Top Ten Best Movies Of The Decade.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Lection has potential to be a thriller with political undertones, but feels more like a basic metaphorical statement thrown over the top of a slow-paced film.
A stalwart of the MCU finally gets her own movie in Black Widow, the long-awaited solo…
Anchored by a lovable cast and an action-packed trek that crosses dimensions, Marvel’s Runaways ends up going out with a bang.
Film Inquiry spoke with director Flavio Alves about The Garden Left Behind, the sociopolitical implications of the story, the significance of his creative and casting decisions, and the universality of the narrative.
Jim Dixon spoke with filmmaker duo Jacob Akira Okada and Carylanna Taylor, Ph.D., about their romantic science fiction film, ANYA.
The Marion Stokes Project captures both the inherent humor and the utter absurdity of what this single-minded woman devoted her life to.
If there is one thing this movie proves, it’s that star power can break through…
In the wake of Adam McKay’s The Big Short, a flurry of films have attempted…