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Aaron Berry

A writer of fiction and criticism, and English student based in Baltimore. Berry’s aspirations of becoming an animator/filmmaker started young. It was a high school film studies course that shifted their interest to wanting to discuss them. They maintain a growing list of favorite films, ranging from Ingmar Bergman’s Persona to Stephen King’s Maximum Overdrive.

13 Articles Published | Follow:
FIRE WILL COME: It Certainly Does, But Little Else Follows
FIRE WILL COME: It Certainly Does, But Little Else Follows
THE MISOGYNISTS: Making Sense Of The Mess We're In
THE MISOGYNISTS: Making Sense Of The Mess We’re In
JOAN THE MAID: Jacques Rivette's Humble Interpretation Of A Famous Saint
JOAN THE MAID: Jacques Rivette’s Humble Interpretation Of A Famous Saint
IN FABRIC: The Devil Is A New Dress In Beautifully Sleazy Horror
IN FABRIC: The Devil Is A New Dress In Beautifully Sleazy Horror
ADOPT A HIGHWAY: Meandering First Feature Has Its Heart In The Right Place
ADOPT A HIGHWAY: Meandering First Feature Has Its Heart In The Right Place
THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN: Empathy In Real-Time
THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN: Empathy In Real-Time
DILILI IN PARIS: Reframing Paris Gets A Little Crooked
DILILI IN PARIS: Reframing Paris Gets A Little Crooked
CUCK: A Cautionary Tale For No One
CARGO: A Neo-Colonialist Story Told From The Wrong Side
CARGO: A Neo-Colonialist Story Told From The Wrong Side
THE GIVERNY DOCUMENT: Black Women, Their Pain & Their Art
Time Destroys All Things in ASH IS PUREST WHITE
ASH IS PUREST WHITE: Time Destroys All Things
PAUSE: A Soul-Crushing Lead Performance Towers Over Misery
PAUSE: A Soul-Crushing Lead Performance Towers Over Misery
Defending JUPITER ASCENDING: The Matrix as a Coming-Out Party
Defending JUPITER ASCENDING: The Matrix As A Coming-Out Party