Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.
So far, this season of Terrace House Tokyo has had a mixed bag, and it really doesn’t seem like anyone is close to accomplishing their stated goals.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
Holly Edwards takes a look at the 2020 Golden Globes awards and considers the winners in the Television categories.
We were able to talk with director and actor Kevin Alejandro about his short film Bedtime Story, running his own production company, balancing it with his acting work and what the future holds for him.
The influence of Apollo 11’s moon landing has never been so well-portrayed, and with such subtle and sharp commentary, as it has with EPIX’s Perpetual Grace LTD.
Every year, awards season is full of messy discourse, debates over who really deserved it, and surprising snubs. This year’s Golden Globe Awards were no different.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
Just Mercy is a disappointing adaptation of an important real-life story, but it’s filled with great performances. Maria Lattila reviews.
Soham Gadre reflects on the night of the 2020 Golden Globe Awards, and specifically the awards handed out in the motion pictures category.
Emily Blunt returns to kick some butt in John Krasinki’s eagerly awaited sequel to A Quiet Place. Emily Wheeler takes a look at the trailer.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.
Midnight Family reveals the bleak reality of a private ambulance business in Mexico with impressive realism and honesty. Michael Frank reviews.
Bait is a stunning and memorable debut that pokes itself into the uncomfortable spaces between class and solidarity in modern British society.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.