Sorry We Missed You is not without faults, but it is a vital look at the hardships faced day in, day out by families all over the UK.
Whether you’re writing a screenplay or simply hoping to add a little quantum oomph to your novel, this writer’s guide to quantum physics is perfect for you!
The Favourite and Once Upon a Time in Hollywood could not be more distant – but are there more similarities to them than meets the eye?
We had the chance to speak with Australian producer Lauren Elliott, whose ability to enchant audiences – with both shock and surprise – has made her a major force to be reckoned with.
Ira Sachs’ Frankie has Isabelle Huppert in the titular role confronting her own mortality through a cancer diagnosis and on a ticking clock.
The Report is deserving of every ounce of praise it receives on its performances, accuracy, and commentary, but getting through the film is a bit of a slog.
Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save the joyous spirit of youth from the deadly peril of growing up.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Shawn Glinis takes a look at the recent Blu-Ray releases of Beyond Evil (1980), Universal Horror Vol. 2 (1933-1943) and Journey to the Beginning of Time (1955).
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
For the most part, the representation of slam poetry in cinema has been that of…
Our final report from 31st Annual New York LGBTQ Film Festival with reviews of A Night at Switch n’ Play, Brief Story from the Green Planet, Scream, Queen! My Nightmare on Elm Street & Tu Me Manques.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.
In his final report from Film Fest 919, Josh Martin takes a look at four very different films: Collisions, Cyrano My Love, Marriage Story and In Fabric.
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.