The city is on a knife’s edge, a pressure-cooker about to explode into the incendiary 1977 New York blackout riots.
Lorna Codrai looks at why 2006 was the most pivotal year of DiCaprio’s career, a year change him from a Prince to King of the World
In his latest report from the 2019 Milwaukee Film Fest, Shawn Glinis reviews the films The Body Remembers, Genesis and the Marion Stokes Project.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Regarding Billy is the kind of movie you watch if you enjoy formulaic holiday films, but you’d like your Hallmark cheese with a dash of gay.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
Muslim teenager Hala copes with the unraveling of her family as she comes into her own.
Shawn Glinis takes a look at the new Blu-ray releases of Whirlpool (1949), Time Without Pity (1957) and Charlie Chaplin’s The Circus (1928).
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.