Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
The potential lingers over Adopt A Highway like a dark cloud, ready to pour some nuance onto what becomes a rather muddled first effort.
A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences.
The Horror of Dracula is one of the greatest horror films of all time. Or the last seven minutes are, at any rate.
In her latest report from the Toronto After Dark Film Festival, Bree Duwyn reviews Paradise Hills, The Furies and Making Monsters.
The Current War builds upon a solid narrative foundation by richly transporting the viewer to a pivotal and prescient time for humankind.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
François Ozon attended the Chicago International Film Festival to promote By the Grace of God . Here’s what he had to say about the film, its reception, and its relationship to his career and life.
Jim Dixon attended the Sleepy Hollow International Film Festival and spoke with Dark Shadows actress Kathryn Leigh Scott, and screened House of Dark Shadows.
By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.
Andrew Emerson reports from the Chicago International Film Festival with seven reviews of big international festival hits and some smaller, indie gems.
Thanks to our friends at Icon Films, Film Inquiry is happy to announce that we’ve got 4 DVDs to give away for The Keeper to our Australian readers!
As we move into November, Disney+ and Apple TV+ are hounds baying at the door to our wallets. But how much potential do they really have to disrupt this streaming gold rush?
The first week of the 55th Chicago International Film Festival has come to a close, so let’s take time to recap some of the films that screened during this week.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.