Night Hunter’s stellar cast, skilled musical score composers, and a solid set of inspirations combine to little beyond an uninspiring drama at best.
Invisibility. Camouflage. They are plot devices in many science fiction and fantasy stories, but do we have anything really like it in real life? How does it work?
We spoke with Abominable star Albert Tsai – although he is only 15 years old, his resume is impressively stacked and diverse for such a young actor.
Prarthana Mohan’s coming-of-age dramedy The MisEducation of Bindu arranges Grade-A talent, on-screen and behind-the-screen.
More reviews fresh from this year’s London Film Festival, including Hope Gap, Just Mercy and Exorcist documentary Leap of Faith.
Harpoon never gets deep enough to attain full authenticity, but it’s still a fittingly tense and amusingly deranged romp, poking fun at how low these people are drowning into moral abyss.
On its ten-year anniversary, The Coen Brother’s A Serious Man should serve as a cautionary tale for our world today. Read to find out more.
It would be unsurprising to see Making Waves used for educational purposes in film sound classes for years to come, but even your average film buff will enjoy it.
As much as Yang Chao’s film Crosscurrent has the look of a beautiful mystery, its quietness remains quiet and unnoticed and doesn’t manage to lead anywhere.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
With an intriguing story and a craftsmanship in filmmaking, The Wild Goose Lake is a ride you want to be on, holding on to you until the very end.
The potential is there for Batwoman to soar, but it’s going to need some serious re-working before it can get its feet firmly off the ground and into Gotham City.
The Bad Boys unite again when an Albanian mercenary, whose brother they killed, promises them an important bonus.
Bong Joon-ho has put together an intricate, multi-layered portrait of inequality and class. At the same time, he keeps the experience fun and intoxicating.
In this week’s Video Dispatches, Shawn Glinis covers home video releases of Wild in the Country (1961), The Ear (1970) and Killer Crocodile (1989).