A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
We spoke with Elizabeth Blake-Thomas about her short film Unseen, about the kidnapping and trafficking of young girls through fake social media modeling contests.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
First Love mixes and matches generic elements freely and playfully, making it impossible to pin down into one category.
3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.
In our latest recap from the 2019 Toronto International Film Festival, We look at the films The Truth and Uncut Gems.
A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.
Our first dispatch from LFF 2019 features reviews of And Then We Danced, System Crasher, Waiting for the Barbarians and more.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
For a movie that supposedly criticizes what it portrays and updates the film noir for 2019 and , Under the Silver Lake comes up embarrassingly short.
Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.
Looking back on “the gayest horror film ever made”, Scream Queen! My Nightmare on Elm Street is the kind of documentary you wait all year to see.
Rahul Patel reviews the 2019 Emmys ceremony, considering the highlights and surprises of the night.
With a talented and diverse cast, chills coming from the darkest corners of television and unending potential, Evil is definitely the one to watch.