Together is a poignant and fascinating meditation on death, loss, and our natural obsession with it.
Boys Don’t Cry celebrates its 20th anniversary this year. Emily Wheeler examines its difficult past and troubling legacy
Mirrah Foulkes’ folk tale of misogyny in the Middle Ages, Judy & Punch, is sometimes mischievous and sometimes utterly volatile, but never formulaic.
Amanda Jane Stern had the opportunity to speak with actor Martin Bruchmann about his time filming the 2012 gay film Silent Youth.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
Despite excellent performances from Binoche and Deneuve, Koreeda’s The Truth is rather more conventionally dull.
John Crowley’s adaptation of The Goldfinch lets down its source material and is, above it all, limp Oscar-bait.
Terrence Malick’s The Hidden Life tells the story of the religious Austrian Franz Jägerstätter, who refused to fight for the Nazis in World War II.
Between a disorganized format, poor storytelling choices, and novice performances, we condemn 47 Meters Down: Uncaged to the chum bucket.
Living up to its eccentricity and lyrical presence, Every Time I Die extensively utilizes its piercing score and shadowy effects.
A new Dietrich & Von Sternberg box set, Abel Ferrara’s debut 9 Lives Of A Wet Pussy and Perry Henzell’s The Harder They Come – we cover them in this week’s Video Dispatches.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
Katrin Gebbe’s Pelikanblut is a balance of dramatically written material and an underbelly of deliciously spooky horror.
The losers are as compelling as before, Chapter Two successfully binds this group to its former to give fans a nuanced end.
We spoke with Emile Hirsch about his performance in Freaks, working with the young Lexy Kolker, and his thoughts on the recent cult fandom for Speed Racer.