While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
While it’s a hard watch, Too Old To Die Young is Nicolas Winding Refn’s finest work – a series to be savoured, mulled over and discovered again and again.
In our first report from Edinburgh Interntational Film Festival we cover Boyz in the Wood, Aniara, Not the End and The Furies.
We have come to the end of the line for the first season of The…
Whether you’re an avid theatre-goer, an actor, or someone who enjoys dark comedies, there will be something enjoyable in Ghost Light.
A beautifully poignant piece, Princess Cyd is a breezy treatment of sexuality, spirituality and women’s relationships in lieu of drama for drama’s sake.
Charlie’s Angels sees a new generation of private detectives working for the mysterious Charlie.
In this week’s Video Dispatches, we cover the recent home video releases of two Jean Claude Van Damme films, Heroes Shed No Tears and Minute Bodies.
Back to the Fatherland looks at Israelis who have moved to Austria despite the historical hardships. Intriguing, yet the execution doesn’t do it justice.
Musanna Ahmed had the opportunity to speak with director Luke Lorentzen about his award winning film Midnight Film.
The ISA’s Planning Your Pitch event in LA proved to be a valuable resource for anyone seeking to get their screenplay out there into the marketplace.
With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
The Good, The Bad, The Hungry looks deep into the world of professional earring and how hot dog eating feels like the height of campy fun.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.