Musanna Ahmed covers some of June’s Bollywood releases: Bharat, Game Over, Kabir Singh and Article 15.
Michael Dougherty’s films sneakily inject themes of religion in the horror narrative. Danny Anderson takes a look at how two of his films subvert Christianity.
Heady problems My Days of Mercy’s characters through the wringer, but the clarity with which they are captured makes the difficult journey more poignant.
Only You flips our expectations of a whirlwind cinematic romance to offer a painfully realistic look at the struggle to start a family.
In Knives Out, a detective investigates the death of a patriarch of an eccentric, combative family.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
Office Space is a cult classic that still resonates with society today. Joseph Dominguez looks back at this classic 1999 film.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
Alex Lines spoke with director Grant Sputore about his new film I am Mother, getting picked up by Netflix, the film’s influences and how to make an original sci-fi film in 2019.
In this week’s Video Dispatches, we cover the new hi-def releases of The Tough Ones (1976), Night of the Creeps (1986), and Universal’s Horror Collection Vol 1.
Anna just isn’t quite the fun thrill ride that one might have hoped for, suffering from a disorganized plot, characters devoid of personality, and less-than-stellar action.
We tap into fond memories of summer and feel-good vibes to come up with a list of some of the best summertime films of all time.
Barbara Rubin and the Exploding NY Underground hooks viewers when it vies into a thrilling character study of a multifaceted, increasingly conflicted individual.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
Rambo: Last Blood is the latest and possibly last, of the Rambo-franchise. Matthias Van Der Roest looks at the new trailer.