What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
In this latest episode of The Simpsons Greatest Hits, we look at the multi guest starring 1992 baseball episode Homer at the Bat.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
American Mirror: Intimation of Immortality is a strange beast, an undefinable fever dream of artistic memories and clashing personalities that shrugs off expected genre conventions.
9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
Episode 5 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
American car designer Carroll Shelby and driver Ken Miles battle corporate interference to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.
Despite the atheism and pure materialism in the world of John Wick, the bureaucracy of the High Table wields its power using the rhetoric of religion.
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
Season three of The Handmaid’s Tale has started and Hulu released the first few episodes. As you might expect: things are as dire as ever.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.
The wives of New York gangsters in Hell’s Kitchen in the 1970s continue to operate their husbands’ rackets after they’re locked up in prison.