In this installment of Video Dispatches we cover Alain Resnais’ Melo and two black and white classics, Dragonwyck and The Big Clock.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Besides a slight hiccup, Swamp Thing’s pilot episode is a promising start for the superhero/horror series.
In Rambo: Last Blood, the last chapter of the series, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission.
With mainstream recognition on the horizon, we take a look back at indie writer-director Alex Ross Perry’s eclectic film history so far.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
Stop motion animation has gleefully seen a resurgence in recent years with films the likes…
With the revival of witchcraft in pop culture, now seems like the right time to look back on Practical Magic starring Sandra Bullock and Nicole Kidman.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
Yes, it’s a dark crime drama – but The Gangster, The Cop, The Devil is more mainstream friendly than most South Korean thrillers.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home.
We delve into biopics, specifically how the mundaneness of the stories of these real people actually do them a disservice.