Wonders of the Sea following explorer and filmmaker Jean-Michel Cousteau is well-intentioned but never a truly satisfying experience.
Chernobyl has haunted and disturbed viewers with visual elements and direct faults of man so far, the fourth episode yet is the hardest of them all.
The third episode of Chernobyl leaves you helpless with this ghoulish and grisly wave of inevitably, but you can’t for the life of you take your eyes away from it all.
We spoke with Hilary Swank and Clara Rugaard, stars of the upcoming sci-fi thriller I Am Mother, about what makes this specific sci-fi so intriguing.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
In Skin, a young man, raised by racist skinheads, turns his back on hatred and violence to transform his life, with the help of a black activist.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
Video Dispatches is a regular column reviewing recent home video releases. This week we covered Claire Denis’ softly dismissed Let the Sunshine In.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
In her second recap of the 2019 South East European Film Festival, Janet Lee looks back at some of the animated and live action shorts she had the chance to see.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.