There is no question that audiences are frequently deprived of inspired sound design, but cinematic audio is evolving.
For being his directorial debut, Milorad Krstić’s Ruben Brandt, Collector is an astounding example of how boundless the animation medium has become.
When I heard that Logan Motherflipping Paul was making a Flat Earth documentary I dabbed…
Spring, the new animated short by writer/director/animator Andy Goralczyk, is truly a thing of beauty.
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
In Once Upon a Time in Hollywood, a faded TV actor and his stunt double strive to achieve fame and success in the film industry.
If you were alive in the 80s, you know that this decade brought the ultimate…
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
The Wizard of Oz and Gone With the Wind have remained on countless “Best of” lists for years and virtually impossible to discuss film history without them.
We go back through The OA Part II, examining the many questions that it presented and thinking forward to how these will be addressed in Part III.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.