Her Smell never overstays its welcome, thanks to a stellar ensemble, Alex Ross Perry’s solid script, and Elisabeth Moss’s powerhouse performance.
While it’s an indication that the final episode is drawing closer, the end is nigh for Shadowhunters, and it was never as apparent as in “Original Sin”.
In this latest recap, Alex Arabian looks back on episodes 10-15 of The CW’s The Flash.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
The cinematic depictions of Ancient Greek tales can often get lost in translation through the generations – here’s our handy guide to the best and worst.
These two award winning films illustrate how cinema can either reinforce or dismantle traditional understandings of colonialism and the Age of Exploration.
Whether you opt for the subtitled version or not, one thing is for certain: Babylon is a hidden gem worth seeking out if it comes to your city.
Love it or hate it, Captain Marvel gives an empowering ethos, secured with a talented cast that makes this movie-going experience on par with previous entries.
This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
In Dragged Across Concrete, two overzealous cops get suspended from the force; they must delve into the criminal underworld to get their just due.
After an enormously successful debut with Get Out, Jordan Peele delivers another bold film with Us, and seems to be creating a whole new genre.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
Contrary to popular belief, getting the Boston accent right is not just about dropping an “r” where you’re not supposed to or adding one to a word when it isn’t necessary.
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