Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
In this latest series of The Simpsons Greatest Hits, we review “Lisa’s Substitute,” a well-acted, well-written episode with a perfect finale.
Film Inquiry’s Musanna Ahmed looks at the biggest Bollywood releases of March 2019 in his first Bollywood Inquiry column.
There’s a lot of set up, a lot of TV show, and little payoff going on in American Gods – and it’s starting to wear on me.
The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.
Lucy in the Sky tells the story of a female astronaut who, upon returning to Earth from a life-changing mission in space, begins to slowly unravel.
Green Book and BlacKkKlansman both deal with race relations in America. We discuss why they may both be problematic in their discussions of race.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
While Peele’s The Twilight Zone is an improvement compared to the previous reboots, viewers are better off revisiting Serling’s original series.
In his latest dispatch from SXSW, Kevin Lee reviews Darlin’, The Girl on the Third Floor and Snatchers.
In Booksmart, two academic superstars and best friends realize they should have worked less and played more so they try to cram four years of fun into one night.
Behind the grief, behind BOB, lies the simple reality that Twin Peaks pushes: that the dream of suburbia and happiness that America sells may be a lie.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
With every passing detail, We are Columbine sinks deeper and deeper into your soul, a piece of it sticking with you when the film has ended.