In Video Dispatches we cover recent home video releases. This week, My Name is Julia Ross (1945), So Dark the Night (1946), and Mikey And Nicky (1976).
In the annals of cinema history, there have been few filmmakers that were talented, and…
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
When it comes down to it, you’ve seen this type of movie before, but rarely with this setting and with people from this part of the world.
Giant Little Ones, directed by Keith Behrman, explores new territory in the teenage “coming out” film genre and it’s a refreshing, welcomed addition.
The Dirt tells the story of how Mötley Crüe came to be one of the most notorious rock ‘n roll groups in history.
In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.
Rocking the Couch charts 100 years of abuse claims in the film industry, asking how far Hollywood has come since the silent era.
With much unknown still remaining this season on Riverdale, especially in the wake of a lost cast member, all we can do is hold on and wait.
All Is True fails to really justify itself: it’s a patchwork of ideas that never really coalesces confidently.
In Yesterday, a a struggling musician realizes he’s the only person on Earth who can remember The Beatles.
The Last Walk, a short film by Anna Hoover, is a heartbreaking, but beautiful tribute to the land for which it captures.
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
Level 16 is an excellent short film trapped inside a pretty good full-length feature. Its shortcomings hurt its long-term impact.
More of a Meh-vel than a Marvel, but this first Captain Marvel film gives hope for stronger sequels in the future.