The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
After a 2 year hiatus, American Gods returns to form bring back element sof the show viewers fell in love with as well as giving room for others to shine.
Apollo 11 is a visually outstanding and remarkably visceral piece of filmmaking that pieces the much fragmented and daunting narrative together.
Evoking Candyman in this season, American Horror Story dredges up misplaced allyship and the appropriation of another’s culture and story.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
Our quest to find the greatest Simpsons episode continues, with “A Streetcar Named Marge,” a parody of A Streetcar Named Desire.
While Dev Patel brings the best performance possible, it’s hard to root for any characters in The Wedding Guest, with a story that never really knows what it wants to be.
A pleasant surprise, Long Shot is an absolute must-see if you are a fan of Charlize Theron and Seth Rogen.
In Her Smell, a self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success.
All art inspires other art. By telling stories, filmmakers impact people all across the world,…
We spoke to actor Cory Michael Smith about his debut lead role in 1985, which played at the Melbourne Queer Film Festival.
The Hole in the Ground is the rare film which would have benefited from being less subtlety and amping up the craziness to achieve the desired sense of unease.
Riverdale’s “Fire Walk With Me” was an episode of discovery – both of ones self and each other – hopefully proving there is strength in numbers.
Us embraces puzzling imagery and timing to evoke a sense of interpretative meaning, which leads to personal intimacy with the viewer.
Ladies and gentlemen, welcome to the inaugural 2019 Awards Season Awards where we recap the highs and lows of the year.