A Dog’s Way Home is predictable but effective – although its cuteness does eventually outstay its welcome.
An Acceptable Loss opens with a big, burning question mark that hooks you, but rather than answering its core moral question, it simplifies the conversation.
A film that is extremely competently made, it’s easy to understand why And Breathe Normally was praised so highly at Sundance
For the 20th Annual Animated Show of Shows, 15 animated films were selected, curated to form this captivating showcase – with three currently on the shortlist for the 2019 Oscar Animated Shorts Nominations.
With Buffalo Boys, Wiluan succeeds in his mission of taking an important piece of his people’s history and rendering it into an entertaining film with international appeal.
Brexit: The Uncivil War tells you nothing you wouldn’t already know from almost three years of news coverage and counting.
In Polar, the world’s top assassin, Duncan Vizla, is settling into retirement when his former employer marks him as a liability to the firm. Against his will, he finds himself back in the game going head to head with an army of younger killers.
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
Murder Mountain is a fascinating insight into unique communities, unexplored lands, and disenfranchised voices – and isn’t that the point of a documentary in the first place?
Writer/director Melissa B. Miller Costanzo’s feature debut touches on the complex nature of relationships with a stunning visual eye, resulting in a thought-provoking journey into the ill-defined nature of transitioning into adulthood.
In Little, a woman is transformed into her younger self at a point in her life when the pressures of adulthood become too much to bear.
What is considered Latin American art cinema today? Who defines the accepted hegemonic profiles of the films that receive funding and are shown all over at European film festivals?
Blood Bound is a good film to watch if you’re looking for 98-minutes of chuckles and seat-squirming, but you’ll still be abundantly aware that it could’ve been a whole lot more.
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.
Backtrace is too ridiculous and underwritten to be a full-fledged crime thriller and too self-serious to be an enjoyable B-movie.