Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
Before We Vanish is always working in two dimensions at the same time: it’s gross and funny, incisive as a work of modern commentary and blunt as a dozen hammers.
Inthis report from Sundance Film Festival 2019, we cover The Sunlit Night,Extremely Wicked, Shockingly Evil And Vile and Vile.
Amanda Nix champions Christopher Abbott as the next Batman, citing his strong veristility as an actor and relatively unknown status reason enough to hand him the keys to the batmobile.
2018 was the biggest year for documentaries in box office history, but some gems still fell by the wayside. Asher Luberto recommends some overlooked docs.
We were able to speak with Laure de Clermont-Tonnerre, co-writer and director of the upcoming drama The Mustang, starring Matthias Schoenaerts.
Zelos is definitely not your typical romantic comedy and it’s an extremely complicated film, full of obstacles that a majority of people can relate to.
In this report from Sundance 2019, Kristy Strouse covers three films: The Sharks, After the Wedding, and The Mustang.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
In Hobbs & Shaw, lawman Luke Hobbs and outcast Deckard Shaw form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity.
Film Inquiry’s Samantha Celentano talked to Yoshi Sudarso about Buffalo Boys, and the rarity of seeing Asian-American cowboys on the big screen.
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.
Riverdale’s “The Red Dahlia” was a deep focus on the concept of right and wrong, that there is no clean cut way to define it, especially within a town of lost souls.
We spoke with Miranda Tapsell, star and co-writer of the Australian romantic comedy Top End Wedding.
While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.