The Silence of Others reveals the struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. We spoke with directors Robert Bahar and Almudena Carracedo.
Wash Westmoreland speaks about his upcoming film Colette, its journey from script to screen, the casting process, and much more!
In our latest report from the Toronto International Film Festival, we look at new films by Xavier Dolan, Alex Ross Perry, Karyn Kusama, and more!
We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.
Carried by a flair for dramatic visual and a remarkable lead performance from Mulubwa, I Am Not a Witch is a fierce and undeniably feminist film unlike anything else in cinemas this year.
Nearly a decade after an occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict.
Summer of ’84 may have been passed over as a cheap Stranger Things knockoff, but there is surprising depth to it if you look beneath the surface.
In anticipation of its induction into the Criterion Collection, we look back on A Story From Chikamatsu, a film with with a sharp focus on the social phenomenons of 18th century Japan.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
Reviews of Claire Denis’ latest, a film from Bi Gan, and more – straight from Toronto International Film Festival.
By elegantly twisting the tropes of both the road movie and the war movie, The Last Suit tells a familiar story in a fresh manner.
Even though this week’s episode goes a bit downhill, Shameless has plenty of laughs as the Gallaghers try to navigate life, with plenty of room for the cast to shine.