Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Wind River is a haunting and wonderfully acted murder mystery that casts light on the inequality within Native American communities.
Tomas Trussow documents his third day of Toronto International Film Festival, in which he saw 5 films, from sci-fi to down-to-earth drama.
Loving Vincent is the first full-painted film that follows the life and death of Vincent van Gogh in 1890 France.
We talked with Jacob Burns Film Center programmer Lina Matta, who discusses the latest line-up for their Contemporary Arab Cinema series.
The Work is an essential piece of filmmaking that’s powerful in its observation and packs a strong emotional punch.
Cinema Novo is an impressionistic documentary about the classic Brazilian movie genre. It’s beautiful, but is too hard to grasp for newcomers.
BRIGHT is an upcoming Netflix original film that follows two cops, one human, one orc, in a fantastical and corrupt world.
Rob Zombie is one of the more well-known B-horror filmmakers working today, his films a glorification of campy fun and violence.
Arlin Golden spoke with THE FORCE director Peter Nicks about Oakland Police Department, and everything that’s wrong and right with American police.
The Force is an important film that hopefully one day we’ll be able to look back upon as history far removed from the current moment.
Greta Gerwig moves behind the camera and back in time with Lady Bird, a semi-autobiographical tale of a teen navigating the end of her school years.
Portraying a real figure is often considered easier than acting as a fictional character, but these examples prove that’s a misconception.
Wetlands chronicles one man’s inauspicious return home in an attempt to make amends with his family and restart his cop career.
Whilst much of the conversation in the Western world is about the resettlement of Syrian refugees in Europe, Insyriated reminds us of those who can’t even leave their own homes.