Come, Sweet Death is an Austrian film from 2000 that, though grim and darkly funny, might be the perfect representation of the country.
With the spectre of white nationalism once again rearing its ugly head in the guise of the so-called ‘Alt-Right’, Matthew Ornstein’s profile of the musician, author, actor and lecturer Daryl Davis, Accidental Courtesy: Daryl Davis, Race & America couldn’t be more relevant. Davis has an unusual hobby for a black man:
Instead of focusing on literary legend Neruda’s full life, in NERUDA, Pablo Larraín focuses on the time Neruda spent running from the government.
Reality television might be a norm today, yet in past generations it didn’t exist; looking back, though, we can see its beginnings in film.
Anonymous is a film based on computer hacking, yet, with a less than subtle focus, it feels much like a tamer version of the show Mr. Robot.
Opening in theaters this week are All We Had, Frank & Lola, Harry Benson: Shoot First, Contract To Kill and more. We compiled the info & trailers.
Strangers on a Train is one of Hitchc*ck’s famous works – using only camera techniques and visuals, it successfully conveys a chilling story, and achieves its horror with less than blood and creepy props.
Disney’s latest film, Moana is sure to please crowds, but it plays it safe by recycling a story that has been told to exhaustion.
Wilson is an R-rated comedy and comic book adaptation directed by Craig Johnson, starring Woody Harrelson as the titular character.
The films that are so bad they’re good are the epitome in ironic movie-watching: intentionally watching terrible films in order to laugh at their technical failures, providing more humour than most comedies nowadays.
As we always do at the start of each month, we look back on the great articles we published the month before. In November we published over 70 interesting, in-depth features, reviews and a bunch of interviews. Here are our favourites!
With Allied, yet another volume has been added to the overflowing pile of wartime films. Though with the talented Robert Zemeckis at the helm, it seldom showcases his trademark focused and proficient direction, which is therefore not enough to raise the film above its many aching flaws.
Silence is Martin Scorsese’s upcoming religious drama set in the 17th century, in which two Jesuit priests (Andrew Garfield & Adam Driver) travel to Japan to find their lost mentor (Liam Neeson).
For her talent and contribution to film alone, Crawford deserves a better legacy than what she ultimately received. By all accounts, she achieved her success through hard work, determination, and innate intelligence.
Cinefemme gathered another group of inspiring female filmmakers, writers and content creators for the third iteration of Dinner With Dames, to dine with Elvia Van Es, Vice President of Development for TLC.