On Belle’s original release, I was intrigued by the film but felt no real urge to watch it. It almost seemed to sell itself on the back of its unusual story: a biracial woman born to aristocracy during the time of the slave trade.
This week in nothing ever dies, the sporadically running television series Absolutely Fabulous gets a movie after twenty years of being relegated to the small screen. Lead characters Edina and Patsy would certainly be thrilled by this development, if not a little miffed that it took this long to upgrade. All they want is to live the high life, which is put into jeopardy here when they bump Kate Moss into the River Thames.
Filmgoers have always been captivated with man’s primal nature. From the silver screen adaptations of The Wolf Man to the mysterious Creature from the Black Lagoon, the primitive side of these movie monsters has contributed to horror genre’s A-team roster. Upon viewing their animalistic nature, our minds are suddenly given a glimpse into the missing link between man and beast.
2016 has become the year where audiences are openly questioning the onslaught of mainstream movies coming out, especially when it comes to unnecessary sequels. Some of the films this year that have made us think ‘did this really need a sequel?’ include Now You See Me 2, The Hunstman, My Big Fat Greek Wedding 2, Independence Day 2, Zoolander 2 and even an Ice Age film set in space.
The hit of this year’s Sundance Film Festival, The Birth of a Nation took home the Audience Award, the Grand Jury Prize, and the largest deal in the history of the festival. Worldwide rights went to Fox Searchlight for $17.5 million, a financial risk that Variety claims isn’t quite as big as it would seem (read about that here).
They say if two’s company, then three’s a crowd, but I like crowds, especially when they’re crowds of gangster movies from countries around the world. So this is our third outing (first here, second here), and if my editor doesn’t kill me, there might be a fourth. Yes, there’s crime in every country, and where there’s crime there are criminals, and when they get organized they become gangsters, and if said country has a film business chances are they will make gangster movies.
I love a good documentary, more than that I love a good mystery. While documentaries such as The Wolfpack have great stories, it’s the films that delve into the depths of the truth that really shine through for me. Finding Vivian Maier and Carol Morley’s Dreams Of A Life excel at this.
Every Tuesday Film Inquiry publishes the movies that are opening in cinemas! This week: Money Monster, The Darkness, Love & Friendship, The Lobster, High-Rise, Last Days in the Desert, Search Party, Dheepan, Kill Zone 2, Sunset Song and What We Become.
PJ Woodside and her partner, Steve Hudgins at Big Biting Pig Productions in Madisonville, KY are creating quite a stir in the independent horror scene. They’ve put out a film a year for the last decade. Their most recent film, Frances Stein, was recently released on Amazon Prime and has been getting a steady stream of five star reviews.
Richard Linklater may be the definitive coming-of-age filmmaker of our time, effortlessly blending John Hughes indebted stories of young people coming to grips with their own identities, with an Altman-esque ear for naturalistic dialogue. His films feel timeless, yet completely of their time – snapshots of a generation that will remain beloved when the next generation of cinephiles lay their eyes on them. A “Spiritual Sequel” His latest film, the punctuation-friendly Everybody Wants Some!!
Strong opinions abound for writer/director Nicolas Winding Refn’s work, which is to be expected when you make the kind of bold choices that he does. There’s not much middle ground when you drench things in violence and style, as people are either going to go with the heightened sensibility or not. The Neon Demon certainly won’t be changing that aspect of his M.
Superhero films are seemingly a dime a dozen lately. Though only the beginning of May, we have already seen the release of Deadpool, Batman v. Superman:
This is the second and last part of “What Is Mise-en-scène”. Find part one (dealing with mise-en-scène of setting, costume and objects) here! Cinematography If there is an important element in mise-en-scène then cinematography is it.
Janeites unite, because here’s a Jane Austen adaptation that’s not another Pride and Prejudice or Sense and Sensibility! Writer/director Whit Stillman delved into Austen’s deep cuts for the epistolary novel Lady Susan, a piece she wrote before her major novels that remained unpublished until after her death. As you can see from the trailer for Love & Friendship, the source material is a bit of a standout from Austen’s other work.
You can improve your life by paying attention to how films use characters and themes to explore human values, virtues, and character strengths.