Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is focused on the year 1955.
In the very North of England, settled into the cinematic hillside of the North Pennines, there lives a family of sheep farmers. Amongst the snow, the wind, and the dying local farm industry, this small family battles every day to rear the perfect sheep and to pursue the life they have always dreamed of. Meet the Hutchinsons – the stars of quirky documentary Addicted to Sheep.
Every week Film Inquiry publishes the movies that are opening in cinemas! This week: In the Heart of the Sea, The Big Short and Don Verdean.
Composers are an underrated yet invaluable aspect to the world of cinema. They have the ability and duty to evoke various emotions in the audience, causing excitement, nerves, tears and goosebumps, sometimes all at once. It takes great skill to match the images on the screen to a suitable audio, and one man is notoriously known for his breathtaking soundtracks that complement filmmakers’ work and enhance the cinematic experience.
One of the hardest things to decide when reviewing a film is if the intentions behind the production feel genuine. One aspect that always arises during the Oscar/Award periods is actors doing roles or movies being made purely for “Oscar bait”. The idea of making a movie purely for the sake of gaining awards attention is somewhat cynical, but the transparency of movie production nowadays makes this something that sadly may have some truth behind it.
The Nice Guys is a comedy action set in the 70s, starring Ryan Gosling as a private investigator, and Russell Crowe, who plays a hired “enforcer” (basically someone who breaks people in two for cash). The two initially meet as Crowe is paid to kick Gosling to bits and breaks his arm. They end up having to work together when a woman disappears, and a porn star commits suicide These events are seemingly unrelated but as events and their investigation unfold, the couple uncovers a conspiracy.
No movie gives an aura of eighties nostalgia better than St.Elmo’s Fire. The Joel Schumacher directed film is somewhat of an underappreciated ‘masterpiece’.
Even if my opinions may come across like those of a film snob at times, one who will do all in his power to avoid anything audiences may actually enjoy. I am not a film critic, but a film fan who sometimes happens to write scathing reviews. I don’t think every movie should aspire to be high art, but I do think cinema as a medium should be either entertaining or emotionally involving dramatically, with any pretensions towards being regarded as art being secondary concerns to filmmakers.
As the Western world is finally starting to make significant strides towards sexual orientation equality, it is easy to forget that in most of the rest of the world homosexuals are less than accepted in their respective societies. LGBT people in such countries face discrimination, social exile and physical beatings as punishment for their existence, and as such have largely been forced to stay closeted. But Love is one of those things that is hard to keep hidden, and as one wise man once said about Life, Love too often “finds a way”.
The Look of Silence, the harrowing companion piece to The Act of Killing, was released earlier this year to universal acclaim. With the film about to be released on streaming platforms in the US, with a ton of awards nominations heading its way (including a place in the shortlist for Best Documentary at the Oscars this year), Film Inquiry spoke to director Joshua Oppenheimer about the past decade in his life making these films, as well as the new form of documentary storytelling he has pioneered. Alistair Ryder for Film Inquiry:
It’s difficult to know where to start when describing Alan Bennett to people who haven’t grown up in the UK. Imagine, if you will, an everyday man, one with a down on his luck and pessimistic sort of look about him. He has a recognisable Northern accent, and a dreary one at that.
I’ve never wanted to complicate the old tales like Snow White. It’s difficult enough to explain to a kid why a young girl lives with seven dwarfs. Thus, we let Hollywood do it and then comes the story of the Huntsman – oddly enough.
They were at the top of their game. They had it all: the fame, the positive critics, a status amongst the greatest filmmakers of all time, and the power to make any film they wished.
November truly is the herald of winter (or summer, depending on where you are), and many of us are starting to get that serious holiday vibe, even if it’s just because you are constantly, and frankly, incessantly assaulted by Christmas music, movies and commercials. Yeah – vibes don’t always need to be positive, ha! Nonetheless, it’s a season of beautiful merriment, togetherness and familiality, and since the North Americas just celebrated Thanksgiving, I’d like to take this opportunity to sincerely thank everyone who supports Film Inquiry.
If there is any Hollywood star that could be named among the most influential among both adults and children, it would be Robin Williams. As an actor who went from a stand-up comedian in the 1980s to arguably the most beloved star in the film industry, Williams maintained his memorable and popular status among viewers by his diverse performances and his particular choice of films. Sadly, Williams passed away in August 2014 following complications of depression that are still being investigated today.