Nathan decided to take a gap year after completing his A-Levels (Media Studies, English Language & Literature and Drama & Theatre Studies) to gain some journalism and media experience before making the next step. In that time, he has continued to run his blog - PerksOfBeingNath - which is now approaching its second anniversary and crammed in as many cinema visits as humanly possible. Like a parent choosing their favourite child, he refuses to pick a favourite film but admits that it is currently a tight race between Gone Girl and La La Land. Self-admitted novice on cinema of the past and always open to suggestions. http://perksofbeingnath.blogspot.co.uk
We summarise the evening of the 90th Academy Awards and go over the winners and losers and the highlights of the evening!
Dorota Kobiela and Hugh Welchman, the directors of Academy Award nominated animation Loving Vincent, spoke to Film Inquiry's Nathan Osborne about the seven year
Human Flow's imagery is unspeakably powerful. The sequences captured on film do not shy away from the scale of the issue and the scope
From the riotous to the poignant, Sally Potter's The Party taps into the state-of-the-nation with a smart, sharp comedy populated with hilarious characters and
Laying blame is a difficult one because nothing is particularly awful in American Made: even the screenplay peppers a handful of decent set pieces
The Family I Had is a sensitively-crafted and thoughtful documentary, utterly harrowing in its depiction of a family's tragedy, but all the more powerful
The Killing of a Sacred Deer is an exploration of revenge and retribution, with one of the most brutal endings you will ever lay