Coming Soon

Mike Birbiglia examines the start of another comedy career in Don’t Think Twice, the second feature from the writer, director, actor, and all-around performer. He had a lot of support adapting his semi-autobiographical play and book into his first film, Sleepwalk with Me, but strikes out on his own with Don’t Think Twice, taking sole writing and directing credits. Still, it’s hard not to think of a film about an improve troupe as an ensemble, especially when it features of bevy of established comedians like Keegan-Michael Key and Gillian Jacobs.

2016’s Sundance Film Festival was a splashy show of muscle from streaming leaders Amazon and Netflix, with early headlines being grabbed by the latter for its pre-festival acquisition of Tallulah. The film reunites Juno stars Ellen Page and Allison Janney for another movie that circles around a baby, but this time Page’s character isn’t as up front about the child’s origins. Tallulah is the kind of film that likely would’ve found a home with a major studio’s independent label, like Juno’s deal with Fox Searchlight, before the streaming companies pushed into feature distribution.

Daniel Radcliffe has certainly blazed his own trail post-Potter, but Imperium takes him out on a limb no one was expecting. Images of him as a white supremacist are certainly startling, so much so that the poster clearly puts his FBI badge front and center to soften the blow. Yep, Radcliffe’s character is only pretending to be Neo-Nazi, but that’s still enough to jar your Potter memories into nightmarish territory.

You may not have signed up for that astronomy 101 course, but you probably should get yourself to a movie theater for Terrence Malick’s universe epic Voyage of Time. It’s sure to be gorgeous, and whatever crazy dinosaur behavior Malick puts on the screen will (allegedly) be explained by Brad Pitt or Cate Blanchett, depending on which version you choose. That, or they’ll ramble existentially about the passage of time, because Malick doesn’t need your narrative clarity.

Sometimes the right person ends up at the right place at the right time. Whether you believe in chaos or destiny, it’s moments we all recognize as miraculous, and one of those moments happened when Sully Sullenberger safely landed a commercial jet on the Hudson River. People immediately pinned an exorbitant amount of hope on the incident, and Sullenberger unwittingly became an American hero.

While not the biggest hit at Sundance or Berlin, Indignation walked away from its festival showings with strong buzz for everyone involved, which should be considered a rousing success given the difficult material it’s based on. The narrative density of the average novel by acclaimed writer Philip Roth has long tripped up filmmakers, leading to outright disastrous adaptations like Portnoy’s Complaint and forgotten mediocrity like Elegy. Indignation, even if imperfect, is shaping up to be a rare Roth adaptation that isn’t brushed aside, if only for the crucial moments it falls on in the careers of its director and lead actor.

Jason Statham is back, fighting and killing his way through another of his bread-and-butter action films. The man has established a firm place in the genre, appearing in some of the most violent, action-packed films of the last fifteen years, and Mechanic: Resurrection looks to be aimed right at his core audience.

The wide world of films have long held a place for the meandering soul-searcher. They’re characters that move aimlessly through the world with no end goal in sight. Perhaps they’ve become disillusioned with the world as it is, or perhaps, like in American Honey, they are too young to know all the directions they could go.