Features
Let’s take a look at Psycho II as one of Hollywood’s most famous belated movie sequels.
Why do we worry ourselves over scenarios that are literally millions of times less likely to happen than dying while doing activities like driving and eating?
We revisit the film Max, a controversial WWII film from 2002 starring John Cusack.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.
To celebrate the tenth anniversary of Inception, we’re going back down the rabbit hole to discuss the film’s plot and make sense of Christopher Nolan’s frenetic dream world.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
In spite of what the Memento’s legacy and promotional material may tell you, Lenny’s problem does not concern memory so much as it does truth.
We look back at David Ayer’s 2014 war film Fury, and the deeper themes of anger mixed with sadness expressed throughout.
Rarely do Christians shudder at the horror of Jesus’s mastery over death and his power of resurrection that form the foundation for the hope Christianity offers the world.
There was a seismic shift in the political landscape of the United States in the…
In our latest installment of Screenplays With Unconventional Connections, we compare Eminem’s 8 Mile to Prince’s Purple Rain.
If you let yourself think about all the unknowns in the world, it can bring on a strange, existential panic, one that Upstream Color captures in a beautifully unnerving way.
As we enter an indeterminate period of self-quarantine, modern technology enables us travel the globe from our living room. Here’s a number of foreign films to keep you occupied.
Showgirls, by any measure, epitomizes every tenet of arthouse cinema. Showgirls belongs on a shelf alongside Andrei Rublev, The Seventh Seal, and The Passion of Joan of Arc.
Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.