Features
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
Can epic fantasy work without the bond between a hero and their creatures at the forefront of the narrative?
Beatriz at Dinner is one of the earliest reactionary films of the Trump Era. The question remains whether or not it has any answers for the current climate.
What kind of character is Audrey Tautou play in Amélie when we examine her again 18 years since the film’s initial release? Read on for our verdict.
We delve into biopics, specifically how the mundaneness of the stories of these real people actually do them a disservice.
The Colour of Pomegranates is not only a window into the age of silent cinema, transplanted to 1969 but a window into a new way of thinking.
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
1939 is often called the Greatest Year in Movies. A list of 25 classics from this memorable year in cinema prove why it surely contends for that title.
For all its flaws, Girls Stroke Boy is a portrayal that is more progressive than a lot of current cinematic depictions of trans people.
Six short reviews for six Godzilla films that give a solid exploration of Godzilla and his major foes. But that’s just the tip of the iceberg.
What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.
Game of Thrones wouldn’t be Game of Thrones without Ramin Djawadi, who has been producing consistently excellent scores for the past nine years.
Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.
Terminator 2: Judgment Day is one of the greatest action movies of all time. Read why it should be the blueprint for all future entries in the genre.
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.