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Fly Girls is a potential mini-series about an important piece of WWII history, the largely forgotten women pilots. Some people might find it hard to believe, but there were women pilots on active service during the war. However, unlike their male counterparts they were restricted to the transportation of planes, and did not engage in air to air combat.
Films deal with universal emotions such as love, hate, or sadness. Some deal specifically with grief, whether it be a lover moving on, a friendship ending, or the loss of a parent. Two films in recent years, The Disappearance of Eleanor Rigby (2014) and Meadowland (2015), have dealt with the loss of a young child and the effect on the parents.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is focused on Time Travel films.
The cinema is under attack. Streaming services threaten the long-held monopoly that the theater has always had on new releases. Studios spend more and more money on fewer and fewer films that are bigger and bigger yet take less and less risks.
Last fall, Women in Film, a non-profit organization based in Los Angeles, launched a new advocacy campaign, 52 Films by Women. Although female directors make up a very low percentage of those directing top grossing films (6.8% in 2014) and only four have received Academy Award nominations for directing, there are many women creating films for us to watch and enjoy.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is focused on the cinematic work of the late singer and actor David Bowie.
Elliot Grove’s life should be made into a film, virtual reality’s going to be the next big thing and Sacha Baron Cohen hasn’t always been funny. Those are just three of the things I discovered when I went along to interview Grove, founder of the Raindance Film Festival and the British Independent Film Awards. Discovering Raindance I grabbed the chance to ask Grove for an interview at a recent Raindance Open House event, held to introduce filmmakers to Raindance and what it can do for them.
Happy new year! Although the end of 2015 was already 19 days ago, it’s never too late to reflect on what a terrific year we’ve had at Film Inquiry and highlight some of our favourite articles. We hope that in 2016 we can bring you more cinematic goodness – we’re looking forward to it!
Walking out of the theater after my opening night showing of Star Wars: The Force Awakens, I felt like I had received a warm hug for two hours. It was comforting to see a director perfectly capture the classic energy and hope of Star Wars for the first time in thirty years.
Every year, it is easier for audiences to grow more cynical as awards season comes ever-closer, with the plethora of middle-of-the-road “prestige pictures” being dumped by the truckload at multiplexes worldwide, to indifferent audiences who would prefer to watch a star war. For the standard movie fan, prestige season should be an embarrassment of riches, the best films of the year being released all at once like a smorgasbord of cinematic delights. But with each passing year, audiences have wised up to the cynical nature of these movies:
Joy has certainly split the critics – but I didn’t know that when I went to see it. I like going to see films without knowing anything about them, or having any preconceptions in my mind to spoil the experience. On this occasion, I’m glad I didn’t know anything about Joy, as personally, I loved it.
In this new series our team will recommend interesting articles they found on the web on a weekly basis. Read and enjoy! Feel free to place your favorite articles of the week in the comments!
Being a film lover should be one of the more unique experiences you have in life. As audience members, we should be able to watch, enjoy and talk about movies without the fear of being scrutinized. So, when I see the average film fan (mostly on reddit the internet) being berated for saying something like “Fury Road was just okay,” or “I really don’t like Christopher Nolan’s movies,” it’s pretty disheartening.
As 2015 comes to a close, the promises of 2016 in film leave excitement fizzling like the fireworks of New Year amongst Quentin Tarantino fans. We have been treated to an influx of releases ripe from the mind of the divisive director over the past few years, with Inglourious Basterds and Django Unchained providing much controversy and dividing many opinions, but it is The Hateful Eight that is now beginning to incite anticipation about its January release. But, as this excitement grows towards the end of Tarantino’s twenty-fourth year in the filmmaking business, the success he enjoys now has progressed in an initially unexpected way.
With the recent blockbuster release of Star Wars: The Force Awakens I have heard nothing but praise for the new protagonists and how they (or the adorable BB-8 Droid) are the best thing to happen to the revamped series. Before I rant, let me say how much I loved the new heroes.