Film Festivals
Continuing our coverage of the 2020 International Documentary Film Festival of Amsterdam (IDFA), we review Radiograph of a Family, 100UP and more!
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
From IDFA Musanna Ahmed gives his first report, detailing thoughts on The Grocer’s Son…, White Noise, Silent Voice, and Bulletproof.
The Xrossing steadily forms into a heartbreaking variation on familiar story beats that blends regional melodrama with a hard-edged crime-thriller.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
Alex Lines spoke with the festival programmer of the JFF 2020 online festival, Susan Bui.
We spoke to the director about the critical success of Collective following his press run at the 2020 Double Exposure Investigative Film Festival.
Smuggling Hendrix is a largely remote concept, but its political relevance emerging from its silly conflict makes it an accessible, amusing dramedy.
Exile requires a certain level of investment to procure the fruits of the third act, but will certainly leave you introspecting your life.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.
Buñuel in the Labyrinth of the Turtles offers a peek into the mind of one of the most influential artists of the surrealist movement.
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the general public’s radar.
In his first report from the 2020 San Diego Asian Film Festival, Soham Gadre reports on the films he had the chance to see!
With two perfectly cast roles in Colin Firth and Stanley Tucci, Supernova lovingly ponders on the preciousness of memory and time.