Film Festivals
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
With these three documentaries, we can experience wildly different subjects, but take them all with a sense of awe.
Film Inquiry spoke with actress, writer and director Radha Mehta for her short film premiering at Slamdance Film Festival: Dosh.
Writer-director Rich Peppiatt brings the story of Kneecap, a real-life Irish rap group, to the big screen in a way that The Dirt wishes it did.
We interview multi-talented Writer/director Masha Ko who recently won the Sundance Jury Award for Best Short Film Director at this year’s Film Festival!
With Frida and Gaucho Gaucho, we gain perspective into an iconic Mexican artist and an Argentine community upholding decades of tradition.
Film Inquiry spoke with writer and director Cynthia Garcia Williams, whose horror short, Legend of El Cucuy, stands out as innovative and eerie.
With The Moogai, writer-director Jon Bell weaves historical trauma and a new mother’s struggles to deliver a thematically rich supernatural horror.
In my first report from Sundance, I’ve got two debuts and a sophomore film from a talented actor. All three tie together in a unique, familial bow.
Darla in Space and Welcome to the Enclave are great examples of perfect programming with unexpected narratives.
Verdugo and Davis’ tight and witty script shines through every scene, and like any good pilot Restorage leaves you wondering where we’re going next.
Legend of El Cucuy brings an old folktale back to life in an effective way. Perhaps this short will be shown to children and future generations as a cautionary tale.
Screening at Slamdance, the short film DOSH focuses on family struggles through the lens of a specific culture and mental health taboos within.
With PU EKAW TNOD, we’re able to see such vision exploring the idea of being the viewer and the viewed, and it’s just as creepy as you think.