Film Reviews
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Three new women-centric streaming releases examine the ways in which systemic injustice affects women.
In a world that seems to be leaning more to authoritarian power and rule, we need documentaries such as The Monopoly of Violence.
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.
Agents of Chaos is an incredibly rich examination of the most pressing concern around the 2016 U.S. Presidential Election.
Film Title Poem, a 67-minute experimental traversal of film history, both canonical and personal, entirely by way of title cards.
Anchored by Millie Bobby Brown’s delightful performance, Enola Holmes is a charming riff on the Sherlock Holmes lore.
We Bare Bears: The Movie builds a fast-paced, fun world for a multitude of generations.
While Sno Babies has its flaws, it does drive home hard the messages of addiction – it is dark, it is ugly and it is hard.
While maybe too placid for some, those who allow themselves to sit back and absorb The Calming’s tranquil journey will be richly rewarded.
The individual pieces of 180° Rule can be quite accomplished, but the film simply isn’t able to capitalize on the sum of its own parts.