Film Reviews
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
Spree is an exceptionally fun time that serves as a chilling satire on the impact social media has on society.
The triumph of The Columnist goes beyond an intimate understanding of the problems of the digital age, to a solid grasp on how that culture makes monsters.
While reluctant to dive deeper into the effects of violence in the media, Random Acts of Violence offers plenty of fun to make it unmissable.
A Night of Horror: Nightmare Radio is a horror anthology curated by Nicolás Onetti and Luciano Onetti. The film consists of horror shorts made between 2012 and 2017.
Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.
As a follow-up to 2008’s Mental, Zero offers a pleasantly intimate but never intrusive portrait of the life of Dr. Masatomo Yamamoto.
Princess Rita is a film of subtle contrasts that distracts from a storyline that could easily be told as a cautionary tale of internet naivety.
A Question of Silence is considered by many well-versed feminists and academics to be a classic of progressive cinema. So, why haven’t you heard of it?
But Jazz on a Summer’s Day so effectively captures the energy of the moment, making us sense the atmosphere and enjoy it vicariously.
As we await another musical adaptation of Little Shop of Horrors, it’s worth looking back to Roger Corman’s campy 1960 original film.
Matteo Garrone’s latest fantasy Pinocchio offers a more realistic portrayal of the classic tale that still incorporates some escapist fantasy elements
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.