Film Reviews
Wala has crafted a fine story, and impresses in his feature film debut with the TIFF film: Shook.
For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
Look Into My Eyes, the new documentary, looks at another way many people seek connection: appointments with psychic mediums.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
Nostalgia aside, Álvarez also has a knack for elaborate production design in addition to building intense action sequences and engaging characters.
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
Writer-director Aviv Rubenstien’s new horror film, “Lizzie Lazarus,” premiered at the 10th annual Popcorn Frights Film Festival in 2024.
Inside Out 2 introduces a bunch of new emotions, but the only one I felt…
Shinji Somai’s magnificent 1993 coming-of-age film, Moving—now available in a new 4K restoration from Cinema Guild—can be interpreted in several ways.
Rialto Pictures is distributing a 4K restoration of The Conversation in honor of the 50th anniversary of its original theatrical release.
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
‘One For the Road’ is swift, surprising, and leaves you hungry for more, validating the phrase “no good deed goes unpunished.”