Film Reviews
Opening her introductory remarks for Zola, director Janicza Bravo recounted how she attended Sundance Film Festival…
La Bamba is a well-versed depiction of Ritchie Valens’ life and it is evident a tremendous amount of care was put into the production of this film.
Minhal Baig marries an American indie aesthetic with a uniquely immigrant narrative for something fresh, vital and worthwhile.
Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.
A Fall From Grace, a 2-hour phoned-in schlock, proves that when Perry mentions his film wrapped in less than a week, he is not exaggerating.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
If you see this streaming the next time you are surfing, Get Gone. There are other things to explore.
In The New Mutants, five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.
Sadly, it’s hard to call this final chapter of the Ip Man saga a successful piece of filmmaking.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.