Film Reviews
Far from being moth-balled and prosaic, When a Woman Ascends The Stairs beats with the most devastating of lifebloods.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
Ryan Murphy’s first Netflix venture is a vapid political satire almost entirely void of humour and heart.
In this report from New York Film Festival, Brent Goldman sheds a light on some international offerings: Atlantics, Bacurau and Martin Eden.
The Melbourne Queer Film Festival (MQFF) is the largest queer film fest in the Southern…
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Three films. Three different languages. From NYFF, Kevin Lee reviews Sybil, Beanpole and Saturday Fiction.
In David Fontana’s final report from TIFF 2019, he covers Judy, The Personal History of David Copperfield and Sound of Metal.