MADS: Am I Tripping Or Is That A Monster? 
MADS: Am I Tripping Or Is That A Monster? 

MadS playful spirit elevates it from film school exercise to wild romp. Fans of Y2K-era zombie movies like Rec or indie bad trips like Bliss are in for a treat.  

SMILE 2: An Ambitious Sequel That Shows That Sometimes Less is More
SMILE 2: An Ambitious Sequel That Shows That Sometimes Less is More

Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.

Hellboy: The Crooked Man review
Hellboy: The Crooked Man: Big Red Dances With Appalachian Witches

Co-written by comics creator Mike Mignola, Brian Taylor’s low-budget “Hellboy: The Crooked Man” casts Jack Kesy in the title role.

Blitz (2024) film
LONDON FILM FESTIVAL 2024: BLITZ

As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.

SALEM'S LOT: I Blinked, It Was Over
SALEM’S LOT: I Blinked, It Was Over

King’s books are often made into films,and they can be hit or miss depending on who made them. The new Salem’s Lot is the latter.

New York Film Festival 2024: ALL WE IMAGINE AS LIGHT, ON BECOMING A GUINEA FOWL
New York Film Festival 2024: ALL WE IMAGINE AS LIGHT, ON BECOMING A GUINEA FOWL

At this year’s NYFF, we take a look at two films from emerging female filmmakers that were some of the highlights of this year.

NIGHT OF THE HARVEST: It Gave It A Shot
NIGHT OF THE HARVEST: It Gave It A Shot

Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.

A DIFFERENT MAN: Dismantling The Disorder Drama
A DIFFERENT MAN: Dismantling The Disorder Drama

Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.

Apartment 7A: Subletting A Classic, No Remodeling Allowed
APARTMENT 7A: Subletting A Classic, No Remodeling Allowed

While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.

Azrael: No One Will Save Samara Weaving
Azrael: No One Will Save Samara Weaving

Azrael has buckets of blood, some fun traps, and plenty of intrigue for those willing to overlook these gestures towards deeper meanings more fully.

New York Film Festival 2024: ANORA
New York Film Festival 2024: ANORA

If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.

Charlie Tango: A Turbulent Thriller
CHARLIE TANGO: A Turbulent Thriller

Despite a trepidatious takeoff and a bit of a rocky landing, where Charlie Tango really shines is at its cruising altitude.

TUESDAY: We Need More Original Films Like This
TUESDAY: We Need More Original Films Like This

Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.

KINDS OF KINDNESS: Three Short Films In A Trench Coat
KINDS OF KINDNESS: Three Short Films In A Trench Coat

Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.

Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH

The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.