WADE IN THE WATER: Artfully Measured Ounces Of Dark Humor & Solemn Drama

Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.

TOO OLD TO DIE YOUNG (S1EP1+2): A City Bathed In Blood And Neon
TOO OLD TO DIE YOUNG S1E1&2: A City Bathed In Blood & Neon

The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.

KATIE SAYS GOODBYE: An Absence of Thematic Meaning
KATIE SAYS GOODBYE: Substituting Masochism For Meaning

Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.

LONERS: Political Satire? Kinda.
LONERS: Political Satire? Kinda.

Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.

THE THIRD WIFE: A Beautiful World Suffocated By Patriarchy
THE THIRD WIFE: A Beautiful World Suffocated By Patriarchy

With gorgeous cinematography, The Third Wife invites us into a broken world of arranged marriage and patriarchy in 19th-century Vietnam.

WHEN THEY SEE US: A Haunting, Vital Miniseries
WHEN THEY SEE US: A Haunting, Vital Miniseries

When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.

IN THE AISLES: A Bittersweet Glimpse Behind the Shelves
IN THE AISLES: A Bittersweet Glimpse Behind the Shelves

In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.

HEAD COUNT: A Horror That Never Finds Its Footing
HEAD COUNT: A Horror That Never Finds Its Footing

While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.

Sheffield Doc/Fest 2019: Part 1: FOR SAMA, WAR OF ART, SEAHORSE & More
Sheffield Doc/Fest 2019: Part 1: FOR SAMA, WAR OF ART, SEAHORSE & More

Musanna Ahmed shares his first report from the 2019 Sheffield Doc/Fest, with reviews for Diego Maradona, War of Art, One Child Nation, Seahorse & more.

WHAT’S EATING GILBERT GRAPE: Digesting The Importance Of Family

What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.

Melbourne Documentary Film Festival 2019: AMERICAN MEMORY: INTIMATIONS OF IMMORTALITY
Melbourne Documentary Film Festival 2019: AMERICAN MIRROR – INTIMATIONS OF IMMORTALITY

American Mirror: Intimation of Immortality is a strange beast, an undefinable fever dream of artistic memories and clashing personalities that shrugs off expected genre conventions.

9 TO 5: Women Make Things Better
9 TO 5: Women Make Things Better

9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.

THE INTRUDER: The Housing Market is a Killer
THE INTRUDER: The Housing Market Is A Killer

Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.

X-MEN: DARK PHOENIX: A False Force Of Destruction
X-MEN: DARK PHOENIX: A False Force Of Destruction

With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.

THE SPANISH PRINCESS (S1E5) "Heart Versus Duty": Dirty Harry
THE SPANISH PRINCESS (S1E5) “Heart Versus Duty”: Dirty Harry

Episode 5 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.